Constantin Stanislavski, the famous Russian theatre director, introduced a set of actor preparation methodologies in early 20th century where he proposed that actor preparation should be revolved around psychological experiences along with physical and vocal exercises. Emotional experiences and subconscious behavior must be the main driving force in order to be a great actor. An actor must train her subconscious so well that any emotion related to any circumstances, incidents or activities can be reproduced on stage.Emotion memory and Inner Realism is the most intriguing concept among all the theorems in Stanislavski’s System perhaps. He said that actors must collect and store all the memories related to various emotional encounters inside individual subconscious and later those are vented out on stage. Visual and sensual memory must be powerful enough that can be reconstructed later and some extended activities can be derived upon that.Sometime these emotions are stronger, sometimes w...